vardathemessage: (Default)
[personal profile] vardathemessage
script:
CECIL

(voice-over)

And there, at the center of it, was Brian’s American wife, Mandy, whose dramatic transformation to London party girl was a constant source of amusement to us all.

Of course Mandy is an incarnation of Angela Bowie, David Bowie's American wife. Notice in the opening minutes of Ziggy Stardust, The Motion Picture, Angie pops in on Bowie backstage being made up by Pierre La Roche and speaks in several voices and accents in the space of 3 minutes. She also says a line in perfectly accented French to LaRoche. According to Todd, this type of camp female character has mostly disappeared from our cultural landscape. As he says in the introduction to the script, "Mandy has a theatrical, campy party girl persona that can be turned on and off at will, and owes a great deal to the gay male sensibility of the time." Mandy has something in common with Liza Minnelli's fabulous portrayal of Sally Bowles in the 1972 film Cabaret as well. It seems these women instinctively knew that they had to be larger than life to stand out in the world of the preening peacocks that they lived among.

While Cecil's assessment of Mandy is quite catty, it echoes the feelings that Ken Pitt had for Angela Bowie.

(no subject)

Date: 2004-08-09 03:04 pm (UTC)
ext_25473: my default default (Velvet Goldmine)
From: [identity profile] lauramcewan.livejournal.com
Mandy has something in common with Liza Minnelli's fabulous portrayal of Sally Bowles in the 1972 film Cabaret as well. It seems these women instinctively knew that had to be larger than life to stand out in the world of the preening peacocks that they lived among.


Wow that you would mention this. I watched Cabaret for the first time a few months ago and Sally reminded me constantly of Mandy - mannerisms, voices, all of it.

(no subject)

Date: 2004-08-09 05:44 pm (UTC)
From: [identity profile] chicken-cem.livejournal.com
According to Todd, this type of camp female character has mostly disappeared from our cultural landscape.

Is this really the case? There are plenty of self-styled 'fag hags' who have a pretty outrageous, flamboyant campiness that stands up well to that of the gay men they be-friend. Think of Margaret Cho (the best example), Madonna (Rupert Everett being merely the most recent of her gay pals), or all those charming straight old school gals who are still around and kicking, the Bette Midlers, Chers, and so on.

And you mention Liza's character in Cabaret, but she herself has always been married to/associated with gay or gay-perceived men like Peter Allen and that David chap.

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