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The audience for the film did exactly what Todd had hoped – no it didn't turn every gay person straight and every straight person gay - we're not referring to that 'modest' goal, but this one:

I hoped it would be like those trippy movies you'd go to and then analyze with your friends; buy the record and play it over and over again and ponder its meaning.

After the film's release internet lists and websites sprung up. Quotes and Quizzes were compiled and Purity Tests were established. References were scoured and shared. Fans old enough to have seen Bowie as Ziggy found themselves in a dialogue with new fans who knew nothing of glam. Believe it or not, Miramax, let alone Christine and Todd, had no idea that the main audience for the film would end up being adolescent girls and young women. After all, that is Brian's (and Bowie's) main audience, but the idea somehow was so basic as to not be a consideration. (and unfortunately, the powers that be try to appeal to the male 18-35 demographic when marketing films) And Todd was unaware of the slash phenomenon at the time - but when asked at screenings, he declared he loved it.

Here's a gauge of the film's impact. Read more )

Credits

Apr. 14th, 2005 05:55 pm
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The smaller roles in Velvet Goldmine are as well cast as the leads. Some are acting veterans like Arthur's boss Lou, [see Update below] but for many of them, Velvet Goldmine is their only role to date. A few, like Arthur's brother and Brian's Mod girlfriend seem to be quite active on British TV. And who wouldn't cast the charming Joe Beattie, who played Cooper, after seeing this.

However, some of the cast who might not have a lot of film or TV appearances are active in theater. Cecil's polari-speaking friend, Ivan Cartwright, a.k.a. Candy Floss, teaches weekend workshops in How to Be A Drag Queen, and worked with Leigh Bowery.

There are a few odd casting choices to be found while perusing the IMDb. For example, who could have imagined that 'Rodney, from Electra', who introduces Brian and Curt, would later be cast as Hitler's propaganda minster, Josef Goebbels.

Update: Esoterica - Casting/Credits

A recent DVD release provides more insight to the casting of Arthur's boss, Lou, who is played by acting veteran Don Fellows. In his 70 or so roles he is usually cast as a military man, reporter or authority figure. One of his earliest roles however, he plays himself, an actor, in the film Symbiopsychotaxiplasm: Take One. This film was shot in 1968, and part one was edited and released. In 2003 the site of the film was revisited by filmmaker William Greaves, and new scenes were shot, contributing to Symbiopsychotaxiplasm: Take 2 1/2, both have been released in a Criterion Collection DVD.
I can only imagine that Todd Haynes saw this film in some film studies class and kept Fellows in mind when casting Velvet Goldmine.
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There is no one quite like Eddie Izzard. He's acted on stage - playing Lenny Bruce and the lead in "A Day In The Death Of Joe Egg" - to much acclaim on both sides of the Atlantic. He's done a variety of great cameo roles on film. But he's most well known for his stand up routines which are rapid fire ideas about history and people that are at the same time absurd and perfectly sensible. Here's a good idea of them. And then there's the cross dressing. He's straight, he just likes the gear, and refers to himself as an 'executive transvestite' or "it's male tomboy, it's not drag queen." An analysis of Eddie's sartorial sense here.

In interviews he's joked that "Jerry Divine is not based upon Tony DeFries. No way, I based him on my dad (legal reasons)". He spoke to the BBC's Jonathan Ross about the film:

Ross: I haven't seen Velvet Goldmine, what's your opinion of it?
Eddie: Well I loved it, it's not totally successful, it's Todd Haynes' problem, Todd drives it where he wants, but he knew exactly what he wanted to do. It was a shooting script when we got it and not a big mainstream Die Hard-type movie, but it's a beautiful film and I really enjoyed doing the role. And people seemed to be quite pleased with what I've done. People said very positive things back to me.
Ross: But to your face it's very hard to be honest...
Eddie: Well no, I've tried to check that because I've found the thing is, if people really hated you but get on with you so don't want to say it to your face, they just say I didn't see it. And no one can really check that.
Ross: I really didn't see it.
Eddie: I know, but that's the easy way to deal with it. But the thing I'm trying to say is not that I was actually that great, but I think I was fine, I held the dramatic role together, but I think people were expecting me to be a gaggy kind of guy, and they were kind of surprised by that so they gave me extra points. I would have liked to have more layers and be able to push more.
Ross: Was the movie what Todd hoped it would be?
Eddie: Yeah. He said he wanted something that would stick around and confuse people and create different waves. Obviously it confused them: people loved it, people hated it.

His connections to Bowie are that he narrated the "David Bowie" segment of VH1's documentary Legends and in the BBC TV series, Father Ted he played a Ziggy Stardust Impersonator. (!)

Added Esoterica, 6 Degrees variety: Brian Eno played a "Father Eno" on an episode of Father Ted. Another guest actor on that show was Maraid McKinley, a name known to us because it is at the top of the credits, when listed in order of appearance, as 'Wilde's Housemaid'.
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script:
Arthur’s eyes flash up. The shimmer swells. Extreme CLOSE-UP of Curt.
 
(very far-away)

I forget where we were. On a trip. But he says to me, 'Curt...

            FLASH TO:
EXT. BEACH – DAY – 1973
 
A bleached-out image of Brian and Curt on some beach.


Both Curt and Brian recall the same moment on holiday, in flashback, as the highlight of their time together. When Brian watches Curt drive away he visualizes them together on the same beach. To each of them that idyllic moment was the fondest memory of their affair. Much of their relationship was scrutinized by the press or observed by others but this is a private interlude that their fans have no idea about, possibly making it all the more precious.


Esoterica: Because Todd describes Curt as 'very far-away' and he and Brian on 'some beach' I just have to mention that 'On Some Far Away Beach' is a song on Eno's Here Come the Warm Jets.
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script:
Arthur glances up from his computer.
 
TV SCREEN

 
Shannon, brittle for her age, speaks into a mike. Beside her sits Tommy Stone.
 
SHANNON

(on TV)

...Due to the overwhelming demand, additional shows are being added whenever and wherever possible.
 
TRACK IN to Arthur who is stuck, watching.

TV NEWS

(off-screen)


According to a spokesman for the tour, six additional Anaheim shows sold out in a record fifteen minutes.

Suddenly he races back to his computer.
 
On computer screen,
CLOSE UP across Slade’s birth-name:
THOMAS BRIAN PATRICK STONINGHAM SLADE.
 
TRACK INTO the names ‘THOMAS ... STONINGHAM’
 
Arthur stares at the screen.
 
He looks back at the TV set.
FAST PAN/ZOOM INTO TV screen.
 
SHANNON

(on TV)

Regrettably, Mr Stone only has time for a few brief questions this morning as he is scheduled to catch a plane to Zurich –
 
REPORTERS

(on TV)

Tommy! Tommy! Tommy!
 
TRACK INTO screen, as music flares. Tommy Stone bears a marked resemblance to Brian Slade.


Arthur has a revelation when he sees Shannon speak at the press conference while doing research on Brian Slade's name change. He recognizes her, as any true Brian Slade fan would, as Brian's assistant, but audiences apparently were not able to see that. Christine Vachon explains why that post-orgy shot of Shannon crying was inserted here after test audiences reacted to the film, It's a shock seeing your movie with people who haven't seen it before. ... Things you think are totally obvious turn out to be incomprehensible. ... In Velvet Goldmine, the audience had no idea who Shannon, Brian's increasingly formidable assistant, was – her style changed so radically from scene to scene that they didn't recognize her. We had to hold on her longer in certain shots, and to reshoot some footage to emphasize her more. Many fans have debated why Arthur would flashback to her at the orgy since that could not logically be his memory, but since this was a plot problem discovered in post production it might have been the most expedient way to solve it. If he could have foreseen the problem, the meticulous Mr. Haynes would have probably made a wonderful NME mockup of Brian and his assistant to have laying about the Creatures flat.

Esoterica- The mention of Tommy having to catch a plane to Zurich is a nod to Bowie taking up residence in Switzerland for tax purposes.
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script:
Arthur pulls out the chair to his desk.
 
            CUT TO:
 
LATER

Computer screen. Words flash by:

‘FILE REQUEST FOR NAME CHANGE SEARCH:
SLADE, BRIAN’
 
Arthur’s face as he searches, blue in the glow of his computer. The TV blares in the background. 

TV NEWS

(off-screen)

Sponsored by President Reynolds' Redeem America Committee, the campaign fundraiser headlined pop superstar Tommy Stone, and raised over a million dollars for the Committee to Prosper. Also performing on the bill, Pat Boone, the Chuck Damon Singers, and Martha Gale.


It seems that the Chuck Damon Singers, and Martha Gale are fictional but Pat Boone is not. He is a contemporary of Elvis Presley, well known for his bland, wholesome image - wearing white bucks, drinking milk and ruining great songs by singing cleaned up lyrics that were originally about the joys of greasing up some good booty. Sounding like a crony of the Bush Reynolds Administration, Pat Boone is part of the real life Presidential Prayer Team. (Scroll down) (They've archived the original entry but he was posing on that site with the man who thinks Sponge Bob is a gay threat to children. James Dobson has apparently never heard Tutti Frutti.) I think Todd had a little fun including him here as a reminder that there have always been hypocrites willing to make money off of rock and roll while pretending to be holier than Little Richard.

Here's Pat aping a famous Elvis pose. The actual album title is Pat Boone Sings Guess Who.
Pat Boone Steals Guess Who

Esoterica

Jan. 17th, 2005 07:38 pm
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script:
INT. BIJOU OFFICES – DAY – 1974
 
Brian’s face, starring at the monitor, a ghost of his former self.
 
CLOSE ON his hand rewinding the tape.

Much is made of whether or not Todd took timeframe liberties with the presence of the video cassette player in this scene. While they were not yet a fixture in people's homes, Bowie certainly had access to a professional model. In Backstage Passes, Angela recalls how they managed to tape a TV news report about a UFO sighting in Detroit that was later censored by the station.

On the other hand, we had the videotape. Yes, even in 1974. It so happened that the documentary filmmaker Alan Yentob was along with us on the trip, making the film that would become Cracked Actor, and he had his VCR hooked up to the television set in our hotel room when the afternoon news flash first caught our attention.

Esoterica

Jan. 13th, 2005 04:26 pm
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script:
An individual looking remarkably like Brian, dressed as Maxwell Demon, stands with two other flashily dressed individuals.
 
Curt squints at the spectre, taking a few vague steps in his direction.
 
The figure turns, revealing himself to be a teenage fan.
 
Curt,
CLOSE, spooked by the misrecognition.


While Curt walks through the Kreuzberg, the German radio announcer says, "While the English fans turned their back on Brian Slade after the highly praised faked assassination stunt, the German fans were rather interested in the bisexual space creature and the sale numbers of the Maxwell Demon ballad Lipstick Traces have more than doubled since the show from February 7th."

Thanks to [livejournal.com profile] happytogoblind for the help.

Esoterica

Nov. 13th, 2004 01:13 am
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script:
MANDY

(voice-over)

It was pretty clear what was happening. It happens every day. But for the world to think it was happening, well... That was Jerry’s particular genius.

That line nearly sums up the whole film - for the world to think it was happening. This is akin to the idea in Wilde's The Critic as Artist, "To give an accurate description of what has never occurred is not merely the proper occupation of the historian, but the inalienable privilege of any man of arts and culture." If Oscar only knew about managers and P.R. people...
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In the Bijou offices, on Jerry's desk there is a vase of beautiful white lilies. This is one of the most well known symbols of Oscar Wilde and the Aesthetic movement. From Richard Ellmann's bio of Wilde, describing his years at Oxford, "His decor included also the talismanic lily, sanctified by Ruskin in The Stones of Venice as one of the most beautiful and useless things in the world. Gilbert and Sullivan were to parody lily love in 'Patience' in 1881. Some have assumed this cult began later. But Wilde himself said that he filled his rooms at Oxford with lilies. A friend of his, Douglas Sladen, recalls ... 'At one time he banished all the decoration from his rooms, except a single blue vase of the true aesthetic type which contained a "Patience" lily.' "

Esoterica

Oct. 27th, 2004 02:15 am
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script:
INT. BIJOU OFFICES – DAY – 1972

DEVINE

So! Tell me, Master Demon...
Who is it you most fancy meeting – in America?
...
MICKI

Einstein.
 
COOPER

Sorry, chickee, he’s dead.
 
MICKI

Jerry said anyone!


That line sounds like vintage Marilyn Monroe dialogue, and the joke here is that she idolized Einstein, once declaring him the sexiest man on earth. The anecdote goes that they met at a party, and she supposedly suggested to him that they should have a child together – her looks and his brains being an unbeatable combination. He, however, considered the other possible outcome and said, But it would be a tragedy if the child had my looks and your brains. This story, like so many of the ones in Velvet Goldmine is one of those mythical anecdotes that is highly unlikely to be true but looms large the the public imagination. The story of their fictional meeting is told in the Nic Roeg film, Insignificance. Compare its opening title card with Velvet Goldmine's: "This story and its contents are entirely fictitious."

Esoterica

Oct. 23rd, 2004 04:01 am
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Velvet Goldmine was released theatrically in the U.K. on this day in 1998.

script:
Next they pass Devine in his elevated office.

Manger Jerry Devine, is perched behind his desk in wide lapels and clashing patterns, operatic on the phone.



We've already mentioned that Jerry Devine is based on Bowie's manager Tony DeFries. But today's point of trivia regards one of the most popular rumors about Velvet Goldmine. The huge poster behind Jerry is a Hollywood glamour shot of 30's legend Jean Harlow, a fabulous actress with great comedic flair. She was the original platinum blonde and in most of her films she wore a white, bias cut satin gown that showed off her beautiful body (without a bra too, which was a bit of a scandal at that time). In the classic comedy, Dinner at Eight, she plays Kitty, who is trying to fit in with all the society swells. She exchanges this immortal dialogue with the great Marie Dressler, who plays the grand dowager, Carlotta:

Kitty : I was reading a book the other day.
Carlotta : Reading a book?? (Dressler nearly staggers.)
Kitty : Yes. It's all about civilization or something. A nutty kind of a book. Do you know that the guy says that machinery is going to take the place of every profession?
Carlotta : Oh, my dear. (Eying Kitty's figure up and down) That's something you need never worry about.

On to the rumor: it's been claimed that the portrait is actually Eddie Izzard in drag. The evidence for: their facial structures are very similar, and Eddie is known for wearing makeup and dressing in drag, so he could pull it off. The cons: the time and budget constraints of the film make it seem highly unlikely that they had the time to set up this kind of photo shoot. If someone like the late great Kevin Aucoin had a go at it, it could be possible. [See some amazing transformations by him here.] And when the film is compared side by side with the original photograph, - note the exact shadows and especially the folds in the dress - it seemed pretty apparent that they are identical.

However, the rumor is too too fabulous not to make the rounds – it was even repeated by the TV channel Trio when they aired Velvet Goldmine.
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script:

EXT. WOODS – MICHIGAN – NIGHT – 1946

Dark hand-held glimpses of wolves moving in a pack, close to camera.

Raised by wolves has always been a put-down, meaning an uncivilized person with no manners, a 'wild' child perhaps. However the other meaning is a person of uncommon natural ability who is able to tap into their true nature and accomplish great things. In legend, Romulus and Remus were twins who were raised by a shewolf and went on to found Rome. In more modern times, feral children have been studied by sociologists, psychologists and linguists. Read about the famous cases like Victor, the Wild Boy of Aveyron, and Kamala and Amala, the Wolf Girls of Midnapore and more feral children here.


For that beautiful shot that only lasts a few seconds on screen half a day and night was spent with 'wolves' (half dog half wolf actually), wolf handlers and a lot of chicken wire. While Brian's performance at the outdoor concert was being filmed, the art department dressed part of the area as an American trailer camp.The wolves arrive and then a bit of chaos ensues as chicken wire has to be found to enclose the space. As Christine Vachon relates in her must read Shooting to Kill "The scene consists of a pack of wolves dropping a baby on a trailer's doorstep ... We use a plastic doll for the baby. The wolves start fucking each other the second they are let off their leashes. They pay no attention to the baby, let alone the trailer. I can tell it's going to be a long night."
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From The Picture of Dorian Gray

He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvelous and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.

The next paragraph continues the idea,

The hero of the wonderful novel that had so influenced his life had himself known this curious fancy. ...
Over and over again Dorian used to read this fantastic chapter, and the two chapters immediately following, ....


and the chapter ends:

Dorian Gray had been poisoned by a book.

The book that Oscar is referring to is not an imaginary one but Against The Grain [the original French title, A Rebours] by J.K. Huysmans. You can read it here:

★ on the Blu-ray commentary:
TH: "and here Christian really looks like he's a teenager as he hears his teacher read from Dorian Gray. And the book that - I forgot this until I read my great web notes - (♥ that's me that!) the book that Dorian Gray is reading in this quote that 'Dorian Gray had been poisoned by a book' is actually Against the Grain ... which is this classic 19th century French handbook for the decadent arts. It's perfect in the context of glitter rock."

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We are already at a point where an appeal to rock 'n' roll will tell us almost nothing worth knowing, though this is, finally, a rock 'n' roll story. Real mysteries cannot be solved, but they can be turned into better mysteries.

Lipstick Traces: A Secret History of the Twentieth Century
by Greil Marcus

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