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So I was reading an excellent interview with Todd Haynes about his new glorious film, Carol. The article had an overview of Todd's work, so he was asked about his earliest influences, which of course includes Mary Poppins. Those who know have been aware of the MP/VG links via the now decade old Mary Poppins/Velvet Goldmine Gallery.

From the article:
Can he remember the first film he saw? He makes a noise that’s close to a squeal. “Yes, I can, and it was Mary Poppins, and it conducted an intense power over me. Oh, my God. Something about it conspired to make it an indelible piece of… psychic formative work for me. It produced obsession, utter obsession. I was only three, and this was a time [before video] when you saw a film only once. I would spend days drawing pictures of it, and acting it out, and dressing up, making everyone into Mary Poppins: ‘Mom, put this hat on and then I’m going to put flowers on it!’ It was a way of life.”

To a greater or lesser degree, all his films can be traced back to Mary Poppins. “After I did Velvet Goldmine, which is also set in London and a fantasy, a crazy but well informed fan made me a T-shirt that had Jane and Michael Banks [the children in Mary Poppins] looking up at the star next to a picture of Ewan McGregor and Christian Bale [who appear in Velvet Goldmine] looking up at the spaceship. They all have the exact same expression, the same lighting… Yes, I see the continuum.”

Crazy but well informed. That's me that!

And, yes, I gave that T shirt to Todd when he was in my neighborhood shooting Mildred Pierce.

May 2022

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We are already at a point where an appeal to rock 'n' roll will tell us almost nothing worth knowing, though this is, finally, a rock 'n' roll story. Real mysteries cannot be solved, but they can be turned into better mysteries.

Lipstick Traces: A Secret History of the Twentieth Century
by Greil Marcus

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