Shut. Up. David. Jones.

Date: 2005-05-15 09:11 pm (UTC)
"The thing is, that film came from a distinctly American perspective. And glam never happened in America. It was so intrinsically a British thing. You had to understand the idea of these bricklayers and blokes like that who suddenly put on make-up. It was just funny."

Oh please! KISS (http://www.icebergradio.com/artist/3210/kiss.html)? Native New Yorkers. (Gene Simmons and Paul Stanley are filthy rich – on a larger scale than Bowie – because of all the "bricklayers and blokes" that have bought their records and seen their shows over the decades.) And how about Alice Fucking Cooper? (http://www.randysrodeo.com/rock/cooper.php) Let us not forget Suzi Quatro (http://www.nyrock.com/interviews/suziq_int.htm)!

Glam happened here. It co-existed with the UK scene, and the Brits riffed off us as we riffed off them back in the day. It wasn't exactly like what was going on in England – one cannot compare a small island to a huge continental land mass – but it definitely existed.

I could be really evil and bring up Parliament-Funkadelic (http://www.fastnbulbous.com/funkadel.htm) and LaBelle (http://www.allthingsdeep.com/dge/labelle.htm)...without whom Young Americans might never have happened, eh David?
This account has disabled anonymous posting.
(will be screened)
(will be screened)
If you don't have an account you can create one now.
HTML doesn't work in the subject.
More info about formatting

May 2022

S M T W T F S
1234567
891011121314
1516 1718192021
22232425262728
293031    

Quotes We Like

We are already at a point where an appeal to rock 'n' roll will tell us almost nothing worth knowing, though this is, finally, a rock 'n' roll story. Real mysteries cannot be solved, but they can be turned into better mysteries.

Lipstick Traces: A Secret History of the Twentieth Century
by Greil Marcus

Style Credit

No cut tags
Page generated Jul. 16th, 2025 07:43 pm
Powered by Dreamwidth Studios