vardathemessage: (Default)
[personal profile] vardathemessage
Happy New Year's, Darlings! I hope you all partied like it was 1969.

script:
In the foreground, Brian is revealed watching through the glass, his back to camera. When Curt doesn’t come in on the next verse, Brian twitches angrily.

BRIAN

Shit!
 
DEVINE

Cut it.
 
MIXER

Should I stop it?
 
Brian turns around, facing Devine and the Mixer who sits behind him at the board.
 
Curt continues singing.
 
Brian watches, biting his thumb.

 
He’s gonna hit the bridge a half-verse early.
 
DEVINE

Now you’re simply wasting tape.
 
BRIAN

Alright. Cut it.
 
The music stops.


Well, quite honestly darlings, your faithful reporter is stumped by this scene. We just quoted Ron Asheton about the character of Curt being unable to sing because he was under the influence, (I believe fucked up was the technical term), but that's just Ron's interpretation and it may have more to do with something Todd explained to him in pre-production about the way he was going to use the song than anything in the final film. But under scrutiny the logic of it crumbles. The scene starts with Curt already singing and he continues to sing and yet he supposedly doesn’t come in on the next verse, he missed his cue and he's gonna hit the bridge a half-verse early. Brian and Jerry sigh in exasperation as Curt continues singing, as well, so perhaps you don't have to be strung out on smack to miss that damned elusive cue. Plus, it would seem that he'll hit the bridge a half verse late if he missed his cue.

Re: It's the drugs, maaaaannn...

Date: 2005-01-02 09:10 pm (UTC)
From: [identity profile] vardathemessage.livejournal.com
I agree too. This scene on the DVD is called "Lost in the Lie" but "When Egos Collide" might be more apt.

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We are already at a point where an appeal to rock 'n' roll will tell us almost nothing worth knowing, though this is, finally, a rock 'n' roll story. Real mysteries cannot be solved, but they can be turned into better mysteries.

Lipstick Traces: A Secret History of the Twentieth Century
by Greil Marcus

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